Peter Kennard’s art at the Whitechapel Gallery is a collection of thought-provoking images that challenge the viewer to see the world in a different light. Kennard’s work spans over 50 years, with a focus on political themes and social commentary.
One of Kennard’s most iconic pieces is Haywain with Cruise Missiles, where he juxtaposes American bombs on John Constable’s traditional wooden cart. This piece was created during a time when RAF Greenham Common was chosen as a nuclear missile base, highlighting the political tensions of the era.
Kennard’s use of striking imagery continues to captivate audiences, with recent works featuring the Palestinian flag and the Financial Times market pages. These pieces delve into the interconnectedness of commerce and geopolitics, shedding light on the darker sides of profit-driven decision-making.
The exhibition at the Whitechapel Gallery pays homage to Kennard’s roots in public art, with displays of his work on placards, newspapers, and posters. The gallery itself holds a historical significance, adding another layer of depth to Kennard’s narrative.
Despite his focus on current events, there is a sense of nostalgia in Kennard’s work, harkening back to a time when DIY sensibilities and grassroots activism were more prevalent. The physicality of his collages adds a tactile element to the viewing experience, inviting the audience to engage with the art on a deeper level.
In a world where political art is often overlooked, Kennard’s bold and unapologetic approach serves as a reminder of the power of visual storytelling. As the exhibition continues to run until January 2025, viewers have the opportunity to explore Kennard’s archive of dissent and reflect on the enduring relevance of his work in today’s socio-political landscape.