He has the author’s career of Pablo Remón (Madrid, 1977) an improper ruralism of who has been raised in a district of Madrid Pijo, close to the Paseo de la Castellana, under the tutelage of an engineer father.
But
”
the
family is everything
”
in the life of
Madrid
this
and
descendant of
Aragon
peasants
.
There the basis for strengthening a dramaturgical career, which with only 44 years, has just been recognized with the National Literature Prize for its rewriting of the work of Lorca Doña Rosita, noted.
An adaptation that, according to the jury has recognized, is “an honest work that resolves with success, depth and suggestively the risk of starting from the creation of Lorca” but with an extra component of “Autofiction”.
Again the family.
Because the remune version, the first non-original text of him, rotates on an ephemeral maternal figure that fills everything full with the sole presence of him.
“Nothing happens, what happens is the time that is thrown a bit the ideals of youth,” explained the author in the presentation of him at the Extinct Pavón Kamikaze of Madrid.
In that space, in his ambigu, it was where Pablo Remón found a shelter for his most recent work and became one of the guys from the off-bird scene thanks to the treatment or Barbados, etcetera.
Then it would take the jump to the big room with dreams and visions of Rodrigo Rato – IChole with Roberto Martín Maiztegui and the Fictions stayed, scheduled for the end of the season that the pandemic fell and the closure of the theater topped.
Hence, the jury of the National Awards has also highlighted “its expression through a contemporary narrative language”, “its dramatic balance” and its capacity for “dramaturgism in a global context”.
Some features that are also appreciated in works such as 40 years of peace or mariachis, which ended up becoming one of the chapters of the HBO Scenario 0 series.
The family history of Pablo Remón has not only impregnated the theatrical career of this student and professor at the Madrid Community Film School (ECAM) but has reached its cinematographic raids with its brother Daniel Remón, who has also reported the
Family history in your novel literature.
Together they won the Goya better script for their adaptation of weather, novel by Jesús Carrasco, in the year 2020. “It makes me special illusion to win this prize with my brother, we have been writing for 20 years when we started when we lived in the family home, each one
In his room, and we did it in his because he had a computer. Now there are two computers, but it is still the same, “said the older brother in the gala.
As a scriptwriters, both had already shared the fantastic world films (2003), Casual Day (2008), five square meters (2011), lost (2015) and I do not know how to say goodbye (2016) and there were the silver biznaga to the best script in
The Malaga Festival and the Alejandro Award Alejandro de Guion Iberoamericano.
As a director of short films, Pablo Remon had earned the best short film award at three of the most important festivals of the National Panorama: Alcine, Medina del Campo and the Spanish version Short Films Contest.
And, now, waiting for his last premiere, the Farsantes, as a closing season of the National Dramatic Center in March 2022, a national dramatic writing award endowed with 20,000 euros and granted by the Ministry of Culture.
“I am very excited to be with this text because of the first one had doubts about doing it,” explained the dramatist on the chain where he has pointed out that Dona Rosita, annotated is his “more personal” and “autobiographical” work despite the ”
Many doubts “that the first project awoke.
