Far from Icíar Bollaín (Madrid, 1967) the temptation of hands too clean.
Since she debuted as a director in 1995 with ‘Hello, are you alone?’, She has never feared to build each of her films from the certainty that the cinema stains and changes things.
For good.
The last film of it is the best and most controversial of the examples.
The story of Maixabel Lasa, the victim of ETA that did not come to face to face with her husband’s killer, is taken to the screen with clarity of the mud: it’s about staining to get out cleaner.
‘Maixabel’ presented on Saturday in San Sebastián with the rumor at his side of the event.