If one goes to the Dictionary of the RAE in search of the word “swallow”, at its third meaning is the following: “Eat voraciously”.
So did it on Monday, at the Gala of the Max Awards, Alfredo Sanzol and his the bar that swallowed all the Spaniards, Asier Etxendía did with his start show and his appearance of closure, he did Gemma Cuervo only with his
Presence and had to do the Minister of Culture, Miquel Iceta, with the speech of a large part of the winners by remembering the work of the technicians and the criteria changes to continue working.

«I did this to take a tribute to the struggle for the freedom that my father did, being a cure, is a tribute to all who changed their lives and fought for their freedom,” said Sanzol, who picked up for his project Three Max
And sealed an almost perfect night: theater show, best authorship and better design of theatrical scene.

“I wanted to dedicate it to the union that has been in these two very complicated years for public and creators,” the Director of the National Dramatic Center, which also reminded the technicians of national theaters, affected by the change of qualifications as the
Ministry of Culture has recently made and leaves out of the options of working to many of them.
“Our solidarity for the situation you are living, surely a solution is going to find,” Sanzol finished.

It was a claim is continued between a large part of the winners in the 24th edition of the Performing Arts Awards that the SGAE Foundation, this year from the Arriaga Theater of Bilbao.
“What happens to us in the tables, it happens to us all,” said Mireia Aixalá, winner of the Max at Best Actress for Les Three Germs, who also encouraged his “partners without curro” to follow and “reach Moscow”.
.

First it had been the turn for Joan Carreras, appointed as a best actor història d’a senglar, who in his speech wanted to thank his mother for “having taken care of me and having given me that education.”

But if there was a mother who monopolized the prizes and applause of a delivered arriaga was Gemma Cuervo, next to her daughter Cayetana Guillén Cuervo, as the winner of the Max Prize for Honor for “La Valentía” of his career.
«This is a wonderful day and I’m having a great time.
This is crying of love, grace, thank you for finding a thread kindness and being here on this land being happy.
Because today I am happy, “he deepened the veteran actress, who barely managed to contain the tears before a patio of armchairs on the beginning at the end of her speech.
«Just the words come out».

The night also left hollow so that with how well we were (steak hardware), which in October 2020, inaugurated the season of the Spanish theater in Madrid after the pandemic, Suara two awards – composition and better production work –
The Basque Kutsidazu Bidea Ixabel Musikala was recognized as best musical show;
Fernando Delgado Hierro, with the remedies, was crowned as best Revelation Authority, since the Best Scene Management Award outside for Nao Albert and Marcel Borràs, two of the best young voices of the National Theater, by dole, beating and death in Agbanäspach
.

In the dance category, the awards went to the hands of Ejor dance show La Mort and the Doncela, of the Institut Valencià de Cultura, whose authors advocated by deeting in “the decentralization of culture” outside of the large urban centers.
In the individual sections, the honors went to Ivan Villar, better male dance interpreter, and Iratxe Ansa, better female interpreter.

And, as a colophon, Asier Etxendía returned to swallow the scenario with the monologue of the public and final allegation included.
«Love is a full theater».
And on Monday he overwhelmed.