In the April Mind Zamora was not to build a generational portrait.
And just that’s all, his series for HBO Max, the image of a generation: The one that reaches Madrid in the twenty with the idea of eating life and ends up the 30 devoured by a frantic rhythm, frustrated by expectations
Unfulfilled and still happy half grasped to an escurrent idea of youth.
These problems are the ones that April Zamora has placed in the universe created by her and starring together with her friends.
Because that’s all the other, her life.
“I always try to say that not because I did not realize that it was so autobiographical, but it is true that there is a lot of parallel with my life and all my friends are, it’s a marked and gives a lot of modesty. I’m afraid to feel so exposed, I prefer to play
to ambiguity and hide in a character. ”
And, like a stealth protagonist, transsexuality is impregnating every story of this Catalan, which in 2017 began its transition.
“In my life it is very normalized, I did not want to emphasize, but it is necessary to show it. Only that a trans girl is integrated into her group of friends is already very important because she has gotten into the head that we have to refuse how different.”
That is why she tries to visibilize her transsexuality in each public act, in each job of her own.
“If they take me to a site without mentioning that I am trans, everything is more normalized, but it is necessary that it looks at me in places and, although I am very vague, I’m going for that.”
Come on, continue living in all the other.
