What error and what trap is to measure with Michaela Coel or Phoebe Waller-Bridge.
But they know the gods of television (the goddesses) that is being done.
For now only Daisy Haggard with his successful Back to Life has approached those two major works that are could destroy you (Coel) and Fleabag (Waller-Bridge).
It is not risky to attribute much of the success of these two extraordinary series to the personal magnetism of its protagonists.
And it is that both Michaela and Phoebe, protagonists of his own creations, have turned his faces into very potential brands.
To be at the time before and behind the camera (not as episode directories but as creators of their series) is a risky decision that does not usually go well.
Less when you are a genius, of course.
Ana Rujas and Claudia Costafreda are not geniuses, there is this clear.
His thistle (Atresplayer Premium), sponsored by the omnipresent Javier Calvo and Javier Ambrossi, it is far from it could destroy you or Fleabag.
But it also separates, up this time, from the Spanish series with which we could compare it, especially that with which it does not casually share space today in this section.
If in all otherwise we can detect a tony of Imposture Cuqui, thistle we could accuse it of quite the opposite.
Going to Saco all the time, Rujas and Costafreda does not end up when it comes to expelling certain spectators, who seem to tell them from the beginning: “Effectively, it is seeing is not your series.”
That same message received me from the first episodes of the Fiction of Atresplayer Premium.
However, some thistle stayed with me.
The derailment of Mary (Ana Rujas), a woman from Carabanchel who in the year that he fulfills the 30 is aware that nothing in her and her life works from her, she is completely alien.
Why then at the end of the first episode of the story of it, I immediately went to the second and so until all those who had provided me to see?
Let’s call it morbid, healthy curiosity or fascination with the work of Claudia Costafreda and, above all, of Ana Rujas.
The one that was a model and actress of juvenile series is poured into thistle in such a radical and sordid way that one can not but applaud the thrush of it.
So endowed with a supernatural photogeny as reluctant to stepped on the removal brake, Ana Rujas makes it clear that her series will be whatever (apart from his) but her status of her superstar she can not argue anyone.
That a character as unpleasant as María Drink of the life of rubles could drag both the self-carbon.
Miraculously there is nothing like that in thistle.
What is there is a permanent exaltation of the drama and the fatality that comes to brushing the most naive teenager egocentricism, because nothing that Mary does is really extreme or specifically generational and thistle is not Titane either.
This, combined with a strong sound and visual bet, a lot of expelling them from the series.
With me almost.
But Ana Rujas.
