what is your personal happiness quotient today? You can diagnose the stop number of your keyboard before the Burnout? Can guarantee machine the “definitive abolition of the disaster”? The digital world in which the “User” in Alexandra Badeas Drama “I’m looking at you” move may have sounded five years ago, when the piece was premiered in Freiburg, even for Science Fiction.
by Eva-Maria Magel
culture editor in the Rhein-Main-Zeitung.
F. A. Z. Twitter
Now, since all the world hangs in Corona in video conferencing, is Badeas scenario brought close to the reality. First, because it is now a corona-compatible Hybrid has become. According to “Seymour” is “I look at you” the second stage of production, from the has made the state theatre of Darmstadt, a movie. A Medium, which fits well to the Subject.
Creepy plexiglass masks
At the end, after 90 minutes, POPs once the stage light into the Small house and scares the smattering of spectators: There he is, the eighth player is speaking, from the acting Director, Oliver Brunner almost touched, when he, the dramaturge of the production, thanks the Team. Because the theatre, the stage always plays with in Barish Karademirs staging. Karademir itself is also to see again and again, black-and-white sample videos, and color film are so intertwined that a duplication occurs: the stage and the Director are part of the game and its masters at the same time. An effect that would have on the theatre itself so can never be achieved, which speaks for the prompt re-conception of the substance as a Film.
As is the case with “body shots” at the beginning of the season was planned from the beginning, a combination of dance and drama, finally, Karademir originally comes from the dance. Choreographed by far, the dance to the physical expression of all of the overwhelming feelings of the lonely “User” speaking: Because in Badeas a lot of voices, almost like a long poem, written Text, the “User”, two female, two communicate male, although digital and mostly in monologues, her Experience and Feel is very analog.
What did people have in the handle
It’s about lost love, raging jealousy, hatred, greed, despair, revenge-all in a world in which digital tools, the people, long in the handle. The actor Béla Milan Uhrlau, Ulrike Fischer, Edda car and driver, and Robert Lang dancing bird, as well as the dancers Tatiana Diara, Charlotte Petersen and Kirill Berezovski speak. Recorded in the Small house, in rehearsals and then in the film, combined with exterior shots in the city and bereft of Frankfurt airport, has succeeded Norbert gold hammer on the camera and in the editing, to make the different layers visible.
