Strolling through Benidorm with Rigoberta Bandini has some religious, procession of the Macarena procession in its path through the Sevillian Plaza de la Esperanza.
Undoubtedly she is the Virgin and TVE workers, the costalers.
You only miss the combs and the blanks because the ladies are all here.
“You are the best, I just want you to go to Eurovision to be represented to all,” Manuela lets him, 78 years, at the passage of her.
The 200 meters that separate the place of the press conference of the Benidorm Fest from his van are a continuation of praise, photos and autographs that she does not refuse despite hurry.
But she does them with garnet trousers, wide black sweatshirt and cap with the word bitch in multicolored letters.
Who can I care about aesthetics when you have put Spain upstairs?
“Thanks for singing ourselves,” he screams a lady in the middle of the square.
When Rigoberta Bandini reaches the back of his van he collapses.
“I’m dead, but I’m so happy,” she commented without losing her smile.
“Jo, how cool, just for these things it’s already worth it, I’m very excited because my song is these ladies, although I go to my mother, I’m going to this woman who approaches me from his truth and his gratitude,” he explains who
It has already become the great star of Benidorm Fest and favorite to go to Eurovision.
Paula Ribó (Barcelona, 1990) -o Rigoberta Bandini or Rigo, as he preferred yesterday the foundations of our country with his and, mom.
She did it when the camera fell on her, dressed in an impolved white, intertwined by her arms with her cousin and chorist, Belén Barenys, and her of her two dancers from her to dance.
A pop image of female power that she did forget up to the globe in the form of a teta.
“On the stage, I was about to cry when I get it. For me, that’s the song, it’s the women of Spain, here we are all united by a message of hope, I do not want more angry, only light, strength,
Union and love “.
All that finds it in his song, in his band – which make up his partner Esteban Navarro and his cousins Belén and Juan Barenyys – and in his improvised altar with candles and cards from the Tarot.
“Look, this is the letter that your companion gave me in the last interview”, she shows her on her mobile screen.
Vane, you can also go to Eurovision.
And, if in that song, dotted with epic references to Delacroix, maternity and fear generated by tits, there is something that unites even more is the image of the broth in the fridge that we have seen in ours.
“I think that very concrete messages and the images are the ones that CALAN. Suddenly, everyone thinks of the broth in the fridge and empathizes”.
But in that pot, deep down, there is a lot.
“That my mother has a broth in the fridge has many things that you can read or simply that is love.”
“I was also afraid of this because I did not want to stigmatize the working mother, woman suffered, who cooks and raises you, but it is true, although we are at a moment of change, this continues to exist and does not have to be bad either.
But there is the responsibility on a very delicate issue not to offend anyone without realizing it. Attacking and criticizing something that you do not like is normal, you have to get wet, but hurting a collective without need would feel bad. This is a message of
Love towards women, mothers and female strength eliminating all the noise “.
A seamless explanation, so there is no doubts.
“Small sheet I have stuck,” she jokes.
As when asked about the famous giant teta.
And, at that moment, the van parks at the hotel entrance.
When Paula comes out, she runs in the direction of the entrance to a small figure that staggers from side to side.
He is Nico, her son.
“Where is my handsome child? The desire I had to see you,” she whispers her between an uncountable amount of kisses.
Ow mom.
