The world a little bit better, clean, decent and the lost Paradise to get a little closer, who did not want to? Nathan White (Tobias Moretti) works as a police officer in the idyllic Voralberg every day, more or less successfully. Against corrupt politicians and local drugs mafia but he’s not, and that his beloved one is beaten up by her husband, raises self-awareness of the Vigilante with Lessing-memory name, also not just. Since it has his old school-mate Anton Galba (Wolfgang Böck) on the first glance decidedly better: As the head of the local sewage treatment Plant, he not only made of Dirty Gold, by processing unsavory legacies to a super-fertilizer for the next garden of Eden, but happily also in the same out of wedlock with young vegetables, by the name of Helga (Anna Unterberger).
Ursula Scheer
editor in the features section.
F. A. Z.
unfortunately, a politically with brown filth – Yes, the picture full – time employees Galba is language in this “land of crime” based on a novel by Christian Mähr is just subtly-by the way, the tensioner and extortionists. As a dark soul can be forfeited on the idea that the world would be, at least for themselves a better place if this would have disappeared a the Idyll verpestende fellow human being. For example, grind in the sewage sludge. Or?
Evil things to do to create that is supposedly Good in these superficially seductive light glittering swamp of Evil, the two men’s White and Galba soon with start-up and feet-first jump. Tobias Moretti as well as Wolfgang Böck’s leave it at lust full of Verve in the case of the embodiment of the two provincial Unsympathen not missing, which are not less morally dubious characters to the side. Galba’s wife Hilde (Petra Morzé) pulls out great knife for the time being, only to slice Cake, but would go over dead bodies to put drug dealers in the craft. And deep in the political and economic felt matted Journalist Ingomar wreath (Harald Schrott) has so many accounts open that he wants to create a whole list of names. So a dirty Hand-washing soon, the other, sullied until all of each other with guilt.
black Humor
A soft spot for black Humor and a degree of optical freedom from pain should bring to find the of Reinhold Bilgeri staged crime “All flesh is Grass” Like. For the literal biblical and classical musical reference is already. The dialogues are pointed in sometimes something bemühtem Almost dialect (screenplay adaptation, Agnes Pluch), the characters are wonderfully exaggerated, but refreshing at the same time ambiguous in its essence. As the engine and stick the Old to the repentant sinners reforming of the sludge king Galba steals Böck Moretti as to the Diabolical leaning representatives of the Executive branch almost the Look. Together, both are on great Form in this Farce, who teases the camera by Tomas Erhart, always new, unfamiliar perspectives.
