Without a future, this place is over-the-Rhine, the dreary, the looks and settings with which the Film “We the other people would be shows” by Jan Bonny to him. Here it is worth not even to speak sentences to the end. Everyone already knows everything of every one, nothing New is happening more and more.
There is a supermarket with a Parking lot, the driving instructor makes rounds. You can see the country roads with fenced-in fields that don’t seem to get away from this Podunk town, but in permanent and Fifty-mile restrictions only to lead again and again back to the village. Even the Wide umgepflügter fields looks limited. The sky overhead power lines and pressures to limit aircraft noise. On the pebble beach of the Rhine, the light too bright, the surrounding nature is unnaturally empty, and the width of the current how in vain fluent. For socializing, we meet in the restaurant of the tennis club, in edema cheap ambience and with chewed-up topics of conversation that can only be a fall-down drunk to endure.
Flash strike Assembly end parallel
Someone regrets Rupert Seidlein (Matthias Brandt) on the road: “The whole day through this misery. Soon, there is nothing more.“ “A driving school”. Why in God’s name instructor Seidlein returned a year ago, in the village of his Childhood? When he was fifteen, killed two patrol officers in his best friend and his parents in a suddenly escalating survey of the use of allegedly in self-defense. The young Rupert was a witness to the cover up, the perpetrators were acquitted. You lived your life. His was coming to an end. You like Rupert in the village, especially his quiet way, Not resentful. He lives even in the parents ‘ house, where the carnage happened. For the barbecue feast he invites the murderers – the now-retired chief master Horn (Manfred Zapatka), the power with the young girlfriend, the nail salon owner Tina (Ricarda Seifried), to potent youth, pensioners, and the brutal Bäumler (Paul Faßnacht), who chases his wife Rose (Rike eckermann) around waking up.
“We would be showing other people” with panic-like flashbacks and flash-like strikes, parallel montages, the silence Rupert is planning revenge (cut Stefan Stabenow). The screenplay by Friedrich Ani and Ina Jung (anise story “Rupert”) gives him a language that consists of grammatical injuries. He breaks his sentences be set aside and talks and behaves erratically. His wife Anja suspect Bad, drinks, staggers, laughs too loud and wants to treat Sex with the Trauma of her husband (Silke floor Bender acts here occasionally to arg).
the Abyss of sadness
The beginning of silent Film, the Fremdschämen program to Look at is, controls persistently to the new disaster. As a non-swimmer, Horn is drowning in the presence of Rupert of the Rhine, attached with Commissioner Wackwitz (Andreas Döhler), a man from outside of his heels. The cancellation of debt in Rupert’s atonement idea but is not yet complete. Now Bäumler is on it. Collateral damages are no matter.
