tearing up the other day, this scene in a TV movie: On a German campsite, loud music of Heino penetrates from a mobile home, and annoyed in his forties, holding something to his pop music tastes, the door to complain at Omi and Opi. However, in a twenty-year-old, the him screams sits: “This is ironic! You don’t think we hear it, really!“ – during the “hazelnut” blaring loud more.
Jan Wiele
editor in the features section.
F. A. Z.
After a good twenty years of irony discourse in the Popkritik this Pointe is not for some, maybe only a tired of mass – market rip-off-but one that demonstrates a continued existence of the clamp between the mind and feeling: to enjoy something, what is actually “even”. Long ago, one therefore speaks of “guilty pleasures”, of guilt aware of the perceived pleasures.
As such, the music of Huey Lewis – the Happy Camper of American rock music, the music in the eighties, visions of gelingendem life is often intimately connected with the respective film images, and music videos. Like many teenage dreams, long after, in 1985, negotiated to hang to “The Power of Love” on the way to school with a Skateboard easy casual to a site like Marty McFly in the formative movie “Back to the future” to save with a guitar solo the world and are still in good time back at home in bed: “Back in Time” – as Huey Lewis sings? Yes, a good dream maybe – with the basic optimistic songs as a warm Cover.
