Leif GW Persson has released a lot of red wine in bag-in-box, ”GW crate”, on sale.

Now, select the kriminalprofessorn to shoot a commercial for the stuff, and the help of his friend and partner, the film director, Felix Herngren. ”The sunny side”-the director is of the hundreds of tv commercials over the years, he has produced adverts for the daily News, and the use of ATG.

Felix Herngren talks about his ideas about building an ad around one of the country’s most popular sections.

“Advertising is, of course, is a strong media which you need to communicate very, very quickly, then, to make the most of the people know about Leif is, and what we do know about him: he is the is the kriminalprofessor, and he is constantly investigating the crime, and, with great subtlety,” he says.

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the Commercial, which Herngren describes as ”the Agatha Christie-like,” begins by Leif GW Persson and brought to court by a woman who is calling and yelling into the phone. ”Brottsjournalen”profile, driven by his butler, in an old-fashioned car at a great castle, in which a crime has been committed.

Leif GW Persson-has not done a commercial before, except for the Swedish newspaper Expressen’s account of his role as a columnist. Requests for advertising may he, however, ” he said.

When the GW was working on the SVT, and the ”Weekly crime” was that he did not advertise it at all, but then he changed the channel to TV4, it may be possible, but it will also make it more difficult to choose.

” I get a ton of offers to do that. For as long as I was working on tv, there were no problems, then it is barely blowing out. But now it has eased to the point. The important thing is to be able to stand up for what you are doing is advertising, ” says Leif GW Persson.

” no, No, never, but I have been writing very, very much to the script, including a pair by Jan Guillou and, at many times, I was involved in many of the scripts we have written. The reason for this was that I wanted to be an actor, I’m not all that well suited for it, but I wanted to see it from the inside, and see how you, as a writer, can you make it easier for the actors.

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