If the current sensitivity of the Wellness qualities of the forest says something about our loss experience, the relationship to nature is only a harbinger of a much more momentous drama as that of the Covid-19 pandemic. In the face of the man-made climate threat, to doubt that this fragile Ecosystem can serve in the near future, as a crisis-free Zone. So it’s no wonder that a Slowdown in the new Wanderlust is not in sight. Where it can be better to distance go – to the home office, declining Fitness, and Streaming series like “Dark”, which will explain the newly summoned shelter game spoilage to a hoard of people-devouring time jumps. Which group deserves the preference, the Supporters of the genuine Good and Healthy, or the proponents of the apocalyptic Eerie, you can see a green projection resource is confronted with the drying up of seemingly never.
Who are the beads of the Ghost story abschreitet, the winds around the forest theme, the device slightly out of breath, of the forest in fairy tales of German romanticism on the younger’s forest-goers to sociological phenomena such as the forest of Aokigahara, at the foot of Fuji, the crowd itself attracts a murderer. Less vulnerable to the inevitable Henry David Thoreau was. “I moved into the forest,” wrote to the consumption of a tired writer in 1854, in his drop-out guide “Walden”, “because I wished to live deliberately, to front only the essential facts of life, to see if I could not learn what it had to teach, so I didn’t have to, to see if it was going to Die, that I had not lived.”
mountain magic between art and science
The true life under the trees was since then, countless imitators, most recently, the American musician Justin Vernon, who was in 2007 out of a love of pain for months in a secluded wooden crate. To think. And under the band name Bon Iver Songs, which earned him the title of the most style-forming hermit of Folk-Pop.
mountain hut magic on the border between art and science also has the exhibition “And the FORESTs will provide echo with laughter” in the Munich Eres-Stiftung. Current research questions in the next program dealt with. The introduction to the art reception is effortless with a barracks-like Installation, when you do not know, first, whether behind the black wooden door, Gregor Schneider, is the most German Amateur uncomfortable space solutions, as the forest spirit on the loose disguised drives.
Scary about climate change
The rise of the fear of pleasure is premature. “Deep in the forest” goes to the account of the Austrian artist Hans Schabus and stingy, rather, with show elements. Through the window, throws a glance in other log houses. The video “Two Cabins” by James Benning juxtaposes two iconic Forest hideouts and tries to a remarkable dialectic of good intentions and fatal consequences. Benning to built in the mountains of California, two exact copies of the huts of the civilization deserteurs Thoreau, and the former Harvard Professor and “Unabombers” Ted Kaczynski.
The encounter of the most revered and the most notorious hermits in the history of the United States opens an illuminating idea-space surrounding the American dream, and the search for autonomy beyond technological solutions. Whether Kaczynski would have liked a Parliament of trees? The Swiss artist, composer and researcher Marcus Maeder, appears to be high. His area of specialty is the Eco-acoustics. He is hunting with a microphone, which he plugged in to the forest floor, to the audible fingerprint of the trees. Right: In the ultrasonic range, the jungle, roots of the Amazon rainforest Scary to communicate about climate change.
