Among the artists, there is a figure of speech, which, because of their lack of Follow-up on the best phrase to: “We would have to look…” At this point, the conversation between the actor Thomas Bartling, and the Director Roman Gonther this spring was reached, as you said, that it is not this time should remain with the subjunctive. Together, they had developed the idea for a Corona Film, a Sizzling and funny story about a love triangle should play in two apartments: the location Bartlings was selected Frankfurt apartment, as well as the domicile of a look spielerpaars, the was allowed to operate under output restrictions continue to be with each other. Bartling, and Gonther said, therefore, that it should not remain at the idea.
Philipp Krohn
editor in the business, responsible for “people and economy”.
F. A. Z.
actor Bartling, created in a few days over Easter in a finished script for the Film #distance. Twelve days in the life of three young people: The forced a Corona to stay in an Apartment in Dubai to find while at home his best friend after a failed relationship and a slip – and totally surprised to meet an attractive woman also has a framed photo in the living room. “I didn’t know that he can also write screenplays,” said Gonther, since the German language and literature studies at the beginning of the nineties, the choice of Frankfurt as the half-hour Film on the roof terrace of the house the Cathedral its world premiere celebrated.
“And then he managed it, that after the decisive Twist is the second Time See no fault in it.” In fact, the script is peppy, and the performers are with joy and passion, sometimes the dialogue seems a little like advertising slogans (“painful, but necessary”), but quickly one of the protagonists, which are unexpectedly to a community of fate, and Video Chat to communicate with each other to grow, to the heart.
instructions without a meeting
The special performance it was, the small Team together to get, without physical meetings to guide and transferred to many tasks, such as light, sound, camera, or the Catering, to the actor. “It was a challenge to master the technique,” says Farina, Violetta Giesmann, which is currently in Ludwigsburg as Pippi Longstocking on stage. Director Gonther was sent to you, only a silver suitcase with all sorts of Equipment to Stuttgart course. In the #distance you keep playing the fiery Sara twisted her new roommate Ben in the shortest time to the head. Which is, in turn, embodied by her Partner in real life, Jörg Pauly, who is employed at the stages of Stuttgart. “We even had to arrange the Catering, because you realize how much is involved in such a production.” For the Premiere, you have your two comrades-in-arms, the mask designer, and the Designer met for the first time in person, just the film composer was missing. “Now you shall see, sometime, perhaps even in the Arm,” she says.
For Bartling, and Gonther is the Experiment that you have self-financed, paid off. Bartling, of the is from supporting roles in “Good times, bad times”, the “scene of the crime” and “The Prosecutor” is known, continues to work part-time as a doctor in the neonatology unit of the Frankfurt University hospital. There he remained after studying medicine in Giessen and his doctoral work in the late nineties to hang. In addition to professionally, he was then the spokesman and actor training.
