so Now, even still, At the Salzburg festival, the use of subjects is to play during the performances in the future prohibited. As Lukas Crepaz, the commercial Director, announced that could be spread through the use of namely to infectious aerosols, which were meant to be from the air conditioner upward filtered off with suction, side. There would then also be of benefit for the released Corona square and 1.5 meters distance between the guests and nothing more, because depending on the subjects shape and thickness of the understandable danger that viruses from the airflow meters are far-flung to the left and to the right, and so the concept of Hygiene to under-run is made.
A corresponding prohibition of note have included the organizers now later in the automatic announcement, which is heard in Salzburg just before each performance in the German and English language. By the way, not talking to anyone for the audience, but the paramour of the “Everyman”: Caroline Peters’ voice pointed out to the audience from the very beginning of the festival to the fact that the beginning of the performance, the masks are removed, at the latest, during the applause, but to Raise again the duty is.
When death calls
For the tightening ums subjects Wedel ban you now had to once again into the recording Studio; not to imagine what consequences it would have, if just to hear a different, unprominentere voice would have been. Although, of course, the vibrating of age of Peter Lohmeyer, who plays in the current “Everyone” to the death, in the context of a more rigorous disease prevention, once again, quite a different Persuasion would have. Maybe Lohmeyer must also ran, if the due to the pandemic is heavily modified and by the end of August, games abbreviated festival run really out of control. That, henceforth, in the performances no longer be waved may be, is also to be welcomed for acoustic reasons.
