Although it seems incredible, José Sacristán has not yet succumbed to social networks or mobile phone.
He does not have.
He does not want.
He does not miss him.
He is the woman of him, Amparo Pascual, who is in charge of new technologies.
He met her in 1995 and fell in love with her.
They married by civilly at the Spanish Embassy in Buenos Aires in 2008, where sacristan is an idol, and to date it has been its most lasting relationship.
Among them there are chemistry in the heart and in the brain.
Both are passionate about culture and falls in love with intellectuals with intellectuals of José Saramago, Eduardo Mendoza or Ernesto Sábato.
For the part of it, Amparo has carried out productions for the National Dramatic Center and the National Company of New Performing Trend where she has collaborated with José Carlos Plaza or Pilar Miró.
The life of the interpreter revolves around the reading of the classics, rehearse the plays, elucidating if you are interested in film and television projects at this point and, of course, it loves to see good movies in the cinema that was built in its
Casa de Chinchón, located near Madrid where it was born 84 years ago.
As one of the last great landism and winner icons of silver shell at the best interpreter by a man called autumn flower at the Sebastian Film Festival, his more than six decades distributing joy and evasion are compensated this year with Goya
of honor, you will receive next February 12 in Valencia.
He has rained a lot from that magistral that he dedicated to the great friend of Him José Luis López Vázquez when they granted the same award to the actor of the cabin.
He refuses to annul the child he has inside.
“When I was little, I put the feathers of the chickens and made my grandmother believe that it was a comanche,” she confessed to me during the promotion of her last theatrical work in Barcelona, Mrs. Red on gray background, her worshiped Miguel Delibes.
At that time he already pointed ways, but the need to wear a day home made him work as a milling winder in the workshop of a friend of his parent.
But he soon escaped from that routine.
While he did Mili in Melilla he decided to be actor.
After making meritoria, he debuted as a professional in 1960.
By then he lived with his wife, the actress Isabel Medel, with whom he had two children, José Antonio (61) and Isabel (60).
They were very hard times because sometimes great hardships came to pass until he made the first film, the family and one more (1965), who already supposed his willingness as one of the best interpreters of the history of Hispanic cinema
.
Although he did not get to pronounce the “yes, I want”, he fell in love with the French actress Liliane Méric during the filming of the green begins in the Pyrenees (1973), mother of her daughter Arnelle (44).
Then came Leonor Benedetto, Laura del Sol, Mila Ximénez and Monica Randall.
Retirement is not in your dictionary and when you walk down the street, it takes pride when “very young guys approach me with a lot of love and they tell me that their parents put my movies. That is the best gift for an actor.”
Back are left how the service is!
(1968), pending subject (1977), the deputy (1978), the Colmena (1982) and the musical My Fair Lady (2001-2003), among many other jewels.
With all those experiences he has achieved five silver frames, three fierce prizes, three Sant Jordi, Dos Goya, the New York Review Award, the Merit Medal in the Fine Arts and last year they gave him the National Cinematography Award
.